Each numbered CD comes as a ‘mini-vinyl’ replica card sleeves with an outer and inner bag. The outer bag features the original U.S. picture sleeve artwork, while the inner bag replicates a generic U.K. RCA single from the time of the original U.K. release. Rather than have the standard silver finish on the ‘playing’ side of the disc, each CD rear comes with a black finish, again to replicate a miniaturised version and the look of the original vinyl release.
The ElvisNews Review
Single #9 in the 2007 single re-issue series from BMG U.K.
The picture shows the clean cut rock and roll star; he lost the raw edge he showed on the cover of his debut album, but still looks good enough to shoot his next movie in color. The picture is flipped the wrong way, but still looking like a legend.
The numbered CD comes as a ‘mini-vinyl’ replica card sleeves with an outer and inner bag. The outer bag features the original U.S. picture sleeve artwork, while the inner bag replicates a generic U.K. RCA single from the time of the original U.K. release. Rather than have the standard silver finish on the ‘playing’ side of the disc, each CD rear comes with a black finish, again to replicate a miniaturised version and the look of the original vinyl release.
The single, coupled with "Dixieland Rock", reached #2 on the U.K. singles chart on it's original release in 1958 while Elvis was stationed in Germany.
This is what Wikipedia says about the "King Creole" soundtrack:
King Creole is the sixth album by Elvis Presley, issued on RCA Records, LPM 1884, in September 1958, recorded in three days at Radio Recorders in Hollywood. It contains songs written and recorded expressly for the film, and peaked at #2 on the Billboard Top Pop Albums chart. It followed the film release by over ten weeks.
The bulk of the songs originated from the stable of writers contracted to Hill and Range, the publishing company jointly owned by Presley and Colonel Tom Parker: Fred Wise, Ben Weisman, Claude Demetrius, Aaron Schroeder, Sid Tepper, and Roy C. Bennett.
Conspicuous in their relatively limited contribution were Jerry Leiber and Mike Stoller, who had come to an impasse with the Colonel during the making of the previous movie, Jailhouse Rock, in which they had practically dominated the musical proceedings.
Furious over mere songwriters having such easy access to Presley without going through Parker's "proper channels," the Colonel closed off their avenue to his prize client, especially since the duo had also tried to influence Presley's film direction, pitching him an idea to do a gritty adaption of Nelson Algren's recent novel, A Walk on the Wild Side, with Elia Kazan directing, and Leiber & Stoller providing the music. The Colonel put the kibosh on such notions, although echoes of the concept remained in the film, and the pair still managed to place three songs on the soundtrack, including the title track and "Trouble," arguably the film's best songs. Presley's performance of "Trouble" in the film alludes to Muddy Waters and Bo Diddley; he would return to the song for his tremendously successful television comeback special.
The songs "Hard Headed Woman" and "Don't Ask Me Why" appeared as two sides of a single on July 10, 1958, to coincide with the release of the film. "Hard Headed Woman," the A-side, and "Don't Ask Me Why" both made the pop singles chart, peaking at #1 and #25 respectively.
The album was reisued for compact disc in an expanded edition on April 15, 1997, and again in an audiophile version from Japan on August 25, 2005. For the both reissues, an additional seven tracks were added, including the song "Danny" taken from the same sessions, with six alternates, four previously unreleased.